所屬業主：遼寧創滕集團
設 計：趙睿
設計項目：三亞管宅
技術負責：張大為
圖像攝影：楊戈、趙睿
文字記錄：楊躍文
編 輯：伍啟雕、謝瑜明
翻 譯：曲夢蝶
設計時間：2013年
The owner：LiaoNing Chuang Teng Group
The Designer：Rui Zhao
Design projects：Guan House of SanYa
Technical director：Dawei Zhang
Image photography：Ge Yang,rui Zhao
Written records：Yuewen Yang
The editor：Qidiao Wu,Yuming Xie
Translator：Mengdie Qu
Design time：In 2013
每一個設計項目對設計者來說，都是一個未知的探險旅程。大腦中的經驗框架不斷地被一個個具體的案子深化著。過程中，意識和情緒在圖紙和場地之間游離，直到案子的落成，某種被定格的瞬間和氛圍得以與時間糾纏，前行。一個案子，像一面鏡子，反射著有關設計者的一切，并且連接他的過去，現在，并指向未來。
Every design project is an unknown journey for the designer. The experience framework in the brains are constantly deepen by the every specific case, the consciousness and emotions are free between the drawings and site during the process until the case is finished. Some frozen moment and atmosphere tangle with time and go forward.a case likes a mirror which reflects everything about the designer, and connects his past and present, and points to the future.
1.25米控制線以下靈活搭配
本案位于海南三亞，三房一廳，業主為一對老年夫妻。作為度假和家庭聚會使用的第二居所，業主提出的主要想法是：簡潔，功能舒適，持久耐用。
This three rooms and one hall residential project is located in Sanya, Hainan. The owner is a couple. As the second residence for holidays and family gatherings, our owner demands that it should be simple, comfort and functional, durable.
基于三亞當地的氣候特征以及有限的預算條件，設計者選擇使用最樸素的材料和極簡的設計方式來執行這個居家項目。所以，“輕硬裝，重軟裝”便成為設計者對于這個項目的指導方向。
Designers choose to use strong corrosion resistance material and the most simple material and the minimalist design style to carry out the home project in consideration of Sanya’s local climate characteristics and the conditions of limited budgets. So, light hard decoration but emphasis soft decoration become designers’ preliminary orientation and design guiding ideology for this project.
首先，從公共區域開始。透明感，一種透氣的感覺，被執行到所有的細節體塊之中。入口大門處的玄關柜體，在兼顧鞋柜儲藏性功能的同時，在形式推敲上也下了不少功夫。一方面，柜體與墻身燈帶造型保持適當距離，形成了縱橫方向立體的構成感；
First of all, from the beginning of the public areas, the transparency, a feeling of breathable, is implemented into all the details of the body block.Porch shoe ark at the entrance not only with the functionality and storage, at the same time also took a lot of thought in the form’s deliberate. On the one hand, shoe ark keeps appropriate distance with wall lamp shape to form the three-dimensional composition sense of vertical and horizontal direction.
另一方面，通過柜體局部的適當鏤空來豐富和加強這種透氣感，它的比例關系與墻身造型互為映襯。玄關在完成它的功能性與形式美感之后，已經成為整個空間組成要素和構思邏輯的一部分。它，作為編織空間基本骨架和制造場地氛圍的第一步，至關重要。
On the other hand, by appropriate hallows of the shoe ark to enrich and strengthen the overall permeability sense. Its proportional relations make mutual echo with the wall’s shape. Porch has clearly become an element of the whole space and a part of logic conception after completed its functionality and form aesthetic feelings. It is very important as the first step for space opening event and weaving space basic skeleton.
隨著空間基本形態關系漸漸被營造之后，設計者的想法得以最終呈現。設計者認為，一個理想的空間，應該是隨著時間的推進，被空間的主人逐漸地進行完善與填充。
What the designers want to express emerge eventually while the space basic shape relations gradually be clearly built, that is an ideal space should be filled in and tossed about by space owner over and over again as time goes on.
而這一切的深化來自真實生活的點點滴滴，每一個物件都直接指向主人的相關信息，整個空間像一面鏡子一樣映射和敘寫著這個主人的方方面面。
And all these deepen come from the dribs and drabs of real life, each object is directly pointing to owner’s relevant information,The whole space is like a mirror which maps and narrates every aspect of the master.
在這里，設計者試圖去表達這種空間被填充和宣泄的狀態，并且是以一種極度自我的，像是把空間占為己有的方式去填充它。空間里充斥著設計師日常鐘意的愛物：樣式各異的燈具產品以多樣性的方式分布在空間中，色彩艷麗的玩具機器人和迷你椅子們，架子上尺度不一的儲物盒，傳統的老式木板凳，幾幅得意的裝飾畫，墻上形式夸張的掛衣鉤等等。
Here, the designers try to express the filling and venting state of this space , and to fill it by a kind of extreme self way which seems to own the space for himself. Space is filled with designer’s daily favorite things in the world: Different styles of lamps and lanterns products appear in a nifty way in the space, colorful toy robots and mini chairs, containers in different sizes on the shelves, the traditional old wooden bench, some satisfied decorative paintings, Form exaggerated coat hangers on the wall and so on.
這看上去近乎瘋狂，這似乎與使用者的身份不太相符。但似乎，設計者在為營造輕松居家氛圍的同時，通過一種看上去略顯強勢干預的方式，試圖在一定程度上去暗示和引導主人怎么去使用這個空間，挖掘這個120平方左右的空間里的所有潛力，甚至改造它，顛覆它，讓空間變成那飄忽不定且真實生命狀態的守護者和參與者。
It seems almost crazy, but I think while the designers create a relaxed home atmosphere , they try to suggest and guide the owner how to use this space to some extent by means seem slightly strong intervention, to find out all potentials in the space of about 120 square, even to Transform it, to subvert it, let the space become the guardian and participant of the erratic and real life state.
設計者認為，住宅空間不僅是一個舒適的安身之地，更應該是作為一種欲望激發器而存在。它在安靜呵護生命的同時，也在為主人提供一個更加立體和多維的場所，引導著主人，進行身體和精神的持續改造。
Designers think that the residential space is not only a comfortable home, but more should exist as a kind of desire energizer. At the same time of quietly life caring, it also provides a more solid and multi-dimensional site for owner, to lead the owner do the continuous reform of body and spirit.
設計師信息：
趙睿：緯圖設計有限公司/董事長/設計總監
1994年始從事建筑及室內設計行業。公司項目涉及大型建筑規劃工程建設與設計，其中包括酒店和會所，公共及私人住宅，品牌展廳策劃及企業辦公空間設計等等。同時不斷延伸創作邊界，涉足繪畫，裝置，家具及燈具產品設計。力求將日常生活中獲取的養分以差異性的方式及媒介落地，最終構筑一種相對適度和理想的生活形態。
ZHAO Rui, design director of V2 architectural design decoration engineering Co., Ltd.
Since 1994 we have been engaging in architecture and interior design industry. Our business involves national large architectural planning engineering construction, hotel project,public housing, private clubs,villa, workshop, exhibition hall, office facilities, etc. We also engage in painting,equipment, furniture, lamps and other artistic creation.
個人榮譽：
1.榮獲“13/14亞太室內設計精英邀請賽金獎”
13/14Asia Pacific Interior Design Awards for Elite Gold Award
2.榮獲“2014年金堂獎 年度十佳餐飲空間設計獎”
Jintang Prize Top Ten restaurant space Design Awards 2014
3.榮獲加拿大“GRANDS PRIX DU DESIGN/2015特別大獎”
GRANDS PRIX DU DESIGN/2015 Special Award
4.榮獲2014年IAI設計獎-“最佳設計大獎”
IAI Design Award 2014 Best Design Award
5.榮獲2015年金創意國際空間設計大賽“商業展示類-金獎”
Golden-Creativity International Space Design Competition Awards-“Commercial Exhibition Space- Gold Awards”
