▼Site / 場地
項目位于廣東省佛山市，南海區工業大道西側，距離在建的12號地鐵線里橫站1公里、距離廣州市市區8.5公里，地理位置優質。
The project is located in Foshan City, Guangdong Province, on the west side of Industrial Avenue in Nanhai District. It is 1 km away from Liheng Station of Metro Line 12 under construction and 8.5 km away from the urban area of Guangzhou.
前期設計介入階段我們思考了許多問題，例如：臨近的高壓線塔對展示中心的影響，景觀如何借用兩側的山體資源？售樓處的位置如何擺放 ？異地樣板房如何擺放？場地內縮主要道路的里面，如何通過景觀引導？場地交平整，如何創造有體驗的豎向景觀？建筑、景觀、室內的關系怎樣融合的更好？
In the early design intervention phase, we considered many questions, such as: the impact of the adjacent high-voltage line towers on the exhibition center, how can the landscape borrow mountain resources on both sides? How to position the sales office? How to show off-site model houses? How to guide the landscape through the main road inside the site? The site is level, how to create a vertical landscape with experience? How can the relationship between architecture, landscape and interior be better integrated?
▼Plane Deduction / 平面推演
▼Final plane / 最終平面
通過建筑整體布局的控制，達到了空間留白的整體布局效果，猶如山水畫一般，營造虛實變化的遐想意境。
Through the control of the overall layout of the building, the overall layout effect of the space is achieved, just like a landscape painting, creating a reverie mood of false and real changes.
疏林草地，屋間緊湊，收放的控制是項目的靈魂。
The sparse grassland and compact houses are the soul of the project.
藝術館是時代文明不斷發展的產物，藝術源于生活而又高于生活，把環境打造成藝術館是設計的出發點。
The art museum is the product of the continuous development of the civilization of the times. Art originates from life and is higher than life. Making the environment into an art museum is the starting point of design.
▼Modern art exhibition space / 現代藝術展示空間
幾處白色體塊高低錯落于草坡上，幾棵婆娑大樸樹與之相襯，猶如進入到建筑的空間領域。簡潔優美的長條體塊將我們引至另一個藝術境地。
Several white bodies were staggered on the grass slope, and several large pupa trees stood against it, as if entering the space area of the building. The simple and graceful strips lead us to another artistic realm.
▼Frontcourt sales space/ 銷售前場空間
建筑的白盒子，落在一個干凈又豐富的場地上，植物讓這里充滿生機，水體讓這里更加充滿靈氣。開場清晰，統一整體， 自然滲透 ，形式簡潔是這里給人的第一印象。
The white box of the building falls on a clean and rich site. The plants make the place full of vitality, and the water body makes the place more full of aura. The opening is clear, unified, natural, and concise. This is the first impression here.
建筑純粹，景觀純粹，材質相映，光線相融。
The architecture is pure, the landscape is pure, the materials are corresponding, and the light blends.
▼Natural waters/ 自然水境
山青，水秀，倒影的自然與光影的輪廓。
Mountains, water show, the nature of reflection and the silhouette of light and shadow.
純凈鏡面水景，倒映著素凈的建筑，蔥蘢的綠植，白與綠交相輝映。
The pure mirror waterscape reflects the pure architecture, the lush greenery, and white and green intersect.
▼Window of architecture/ 窗景
窗景的滲透，成為了室內最美的視覺面。藍花楹優美的枝葉灑在建筑上，自然生動。
The infiltration of the window view has become the most beautiful visual aspect of the interior. The beautiful branches and leaves of Jacaranda are natural and vivid.
▼Rippled watercourse/ 波紋水道
沿水而行，順坡而下 ，簡潔的線性體塊水景，干凈的草坪 ，打造安靜空靈的體驗氛圍。
Along the water, down the slope, simple linear water features, clean lawns, creating a quiet and empty atmosphere.
規整的線性水景中，點綴泛動自然的涌泉。
The structured linear water features embellish the natural springs.
▼Art model room/ 藝術樣板間
轉折的步行體驗結合白墻光帶，為下一個空間營造無限的遐想景觀氛圍。
The turning walking experience combined with the white wall light belt creates an infinite daydreaming landscape atmosphere for the next space.
通過不同灌木搭配花卉草本植物，營造幽香靜謐花境院子，使其香遠益清沁人心脾，在郁郁蔥蔥的樹木中敞開心房，感受自然的撫慰。
Through the use of different shrubs and flowers and herbs to create a quiet and tranquil flower garden, it will make the fragrance clear and refreshing. Open your heart in the lush trees and feel the natural comfort.
自然美和藝術相互依存，自然與生活是藝術的標準，我們用理想與現實摹寫這一刻，表達對自然、對生活、對藝術最高的敬仰。
Natural beauty and art are interdependent. Nature and life are the standards of art. We write this moment with ideals and reality to express the highest admiration for nature, life, and art.
▼Flower border construction process/ 花境施工過程
設計師現場與工人栽種調整植被，打造理想中的花境效果。
Designers and workers plant and adjust vegetation to create the ideal flower border effect.
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項目雕塑及裝置藝術版權均歸時代中國設計研發中心所有，翻版必究。
