如恩設計受開發商阿那亞Aranya之邀在他們的海濱度假社區設計一個藝術中心，如恩也希望借此契機，嘗試突破藝術中心與公共空間的固有定義。
When enlightened developer Aranya asked Neri&Hu to design an art center inside their seaside resort community, Neri&Hu seized the opportunity to question the notions of space for art versus communal space.
作為一個社區，Aranya是一個藝術中心，盡管簡單明了，但它非常強調其生活方式意識形態的精神本質，即與環境的統一性。因而，除了滿足藝術 展陳的功能外，如恩在建筑內部設計了一個環形的庭院，作為社區居民的公共活動空間。
Despite the straightforward brief of an art center, Aranya, as a community has a strong emphasis on the spiritual nature of their lifestyle ideology, an oneness with the environment. So the design scheme is as much about the internal courtyard, a communal space for the residents, as it is about the exhibition being displayed in the center.
當地海水受氣候的影響，出現季節性的變化——夏季，海水蔚藍、寧靜；冬季則在表面凝結成冰，藝術中心的概念設計便以季節性的海水變化為靈感，試圖將大自然的奇妙囊括于建筑的內核。
Drawing inspiration from the seasonal ocean waters nearby—azure and calm in the summers, splintered ice though winter—the building design attempts to encapsulate the natural wonder of water at its core.
該方案最大限度地擴大了它的外部足跡，但在中心雕刻出一個倒置的圓臺空間，在底部形成一座階梯圓形劇場。中心空間可以通過多種方式進行重新配置和使用，在充滿水的時候是一個水景，在排水的時候是一個功能性能和聚集的地方。
The scheme maximizes its outer footprint but carves out a pure conical geometry at the center with a stepped amphitheater at the base. The central void space can be reconfigured and used in many ways, a water feature when filled with water, but also a functional performance and gathering place when the water is drained.
以上的展覽館受益于公共空間的整合，但它也使項目不僅僅是一個展示的場所，更是一個分享的場所。
The exhibition galleries above benefit from the public space integration, but it also makes the project much more than just a place for display, it is also a place for sharing.
厚重的建筑體量內部串聯了一系列空間，游客可以在其中自由漫步，緩慢上升，享受一段內外視野精心編排的旅程。畫廊空間主要功能就是體驗藝術的。這個項目在這方面沒有什么不同，螺旋上升的流線將人們引導至每一個畫廊空間，在展陳藝術品的過程中不斷激發人們的觀賞欲。
Within the thick mass of the building volume is a series of interlocking spaces that visitors can meander freely within, slowly ascending, enjoying a choreographed journey with directed views both inward and outward. Gallery spaces are about the enjoyment of art. This project is no different in that regard, a spiraling path leads you through all the spaces, urging you onwards by the desire to see more.
從底部的咖啡館、多功能畫廊和室外露天劇場開始，路徑引導游客穿過五個不同的畫廊，最終到達建筑頂部，在這里可以360度俯瞰四周的風景和建筑內部的活動。
Starting at the bottom with the Cafe, Multi-purpose Gallery, and an Outdoor Amphitheater, the path guides visitors through five distinct galleries, culminating at the rooftop where you get 360-degree viewing of the activities below.
建筑的立面和物質性主要是由各種變形混凝土構成的，無論是否有骨料，它的本質都是沉重的，就像一塊堅硬的巖石牢牢地坐落在不斷變化的環境中。部分光滑的表皮折射出萬象的天空，而模塑的混凝土磚外墻則充分與日光互動，營造出另一種變幻的肌理。
Composed primarily of various textured concretes, with and without aggregate, the facade and materiality of the building is heavy in nature, like a solid rock sitting firmly in the shifting environment. Smooth surfaces reflect the changing skies, while the molded modular units pick up on the play of shadows throughout the day.
青銅元素在厚重的立面上起到強調作用，捕捉了自然的天光，并吸引人們對每個畫廊入口的注意。定制設計的照明與細節為樸實的色調增添了精致的細節。夜晚，室內的光線沿著倒錐形的空間散射出來，點亮了海濱的整片社區。
Bronze elements act as accents on the heavy facade to catch light and draw attention to the entry of each gallery. Custom lighting and details add a touch of intricacy to the otherwise modest palette. In the evening, open modules allow light to shine through, the building is a jewel at the core of this seaside community.
平面圖
北立面
東立面
南立面
剖面圖
草圖
建筑師：如恩設計研究室
地點：河北 秦皇島 北戴河
創始合伙人&主創建筑師：郭錫恩, 胡如珊
設計團隊：楊延蕙（建筑設計協理總監）、郭鵬（協理），Utsav Jain、Josh Murphy、Gianpaolo Taglietti、高樂舟、Susana Sanglas、Lili Cheng、魯永新 (產品設計協理總監)
面積：1500平方米
年份：2019
攝影：Pedro Pegenaute、夏至
圖文轉自搜建筑 ，如涉侵權，請聯系刪除。
