▼設(shè)計(jì)說明
?A beloved landmark in north - eastern Tokyo, the Tsunyuji temple has been given a new lease of life by Tokyo-based Satoru Hirota Architects who have both refurbished and complemented it with new facilities. The Edo-period Buddhist temple was destroyed during WWII air - raids and modestly rebuilt in 1949, but had since been poorly kept with the site exhibiting signs of dilapidation. The minimalist intervention, which includes the addition of a reception hall, priests’ quarters and a new courtyard, succeeds in reinstating the shrine’s dignity and reinvigorating it in a contemporary way, presenting to the public, as the architects say, “a temple of a new era.”
?位于東京東北部的眾所喜愛的地標(biāo)性建筑Tsunyuji廟經(jīng)整修已獲得新生,出自東京本地的建筑師Satoru Hirota之手，對(duì)其進(jìn)行翻新并補(bǔ)充了新的設(shè)施。二戰(zhàn)期間Buddhist寺廟由于空襲被摧毀，在1949年重建,但因?yàn)橐恢北４娌簧齐S之站點(diǎn)也呈現(xiàn)出破損的跡象。極簡主義的干預(yù),其中包括的接待大廳,祭司區(qū)域以及一個(gè)新的庭院,以現(xiàn)代的方式成功恢復(fù)寺廟的尊嚴(yán)、重振復(fù)興,向公眾展示,正如建筑師所說,“新時(shí)代的神廟。”
?Far from copying the traditional aesthetic of the temple - the impeccably renovated edifice boasts a traditional hip-and-gable feature roof, as well as finishes in white plaster and natural wood-the new buildings on the plot’s north side are designed in a no - frills, modern fashion. With their minimal geometrical volumes and a sombre palette of exposed concrete, glass and charred cedar, they are both distinct from and respectful of the historical landmark.
?并非照搬傳統(tǒng)寺廟的美學(xué)元素-這座完美的翻新建筑擁有傳統(tǒng)化的屋頂特征,以及完成白色石膏和天然木材-地基北面的新建筑是經(jīng)濟(jì)型設(shè)計(jì),現(xiàn)代時(shí)尚。最小幾何量和暴露的混凝土面板,玻璃和燒焦的雪松,它們既不同于也尊重于這座歷史地標(biāo)性建筑。
?The complex’s new reception hall, which can also host lectures, performances and other events as well as serve as a temporary shelter in case of a natural disaster, is a triangular-shaped building at the site’s north-western corner that opens up towards the courtyard with continuous floor-to-ceiling glazing. The low-rise pitched roof, sloping up towards the parking spaces on the back, gives the other buildings breathing space and allows more daylight into the site. Next to the reception hall, a three-storey block houses the priests’ offices on the ground floor and their accommodation on the floors above. The architects have cleverly clad the ground in charred cedar and offset it from the two upper floors which are designed as a concrete cube with trimless cut-outs for windows and balconies making the block feel much lighter and less imposing for its mass.
?在新接待大廳中,可以舉辦講座、表演以及其他活動(dòng)，同時(shí)還可以作為自然災(zāi)害情況下的臨時(shí)住所,它位于西北角落，連續(xù)的落地玻璃窗正對(duì)著庭院，是一個(gè)三角形建筑。低層斜屋頂,斜向停車場,給其他建筑喘息的空間,讓更多的陽光進(jìn)入。接待大廳的旁邊,是一座三層房屋，一層是祭司的辦公室,他們的宿舍在以上的樓層。建筑師巧妙地在地面上覆蓋了燒焦的雪松。挖空的窗戶和陽臺(tái)使整個(gè)建筑感覺更輕松更便于實(shí)施。
?The courtyard in-between the buildings is designed as a rock garden and is filled with Shirakawa sand (a famous type of spreading sand consisting of small pebbles of weathered granite), with its predominantly white colours reflecting light into the reception hall. A featured tree in the centre and a row of statues resting on the perimeter wall complete the landscaping and create an ambience that encourages reflection and serenity. Meanwhile, various concrete elements scattered around the site, like the entrance portico, the wall abutting an exterior staircase at the temple’s side-entrance or the concrete planter at the street corner, provide aesthetic coherence.
?院子中間的建筑設(shè)計(jì)作為一個(gè)巖石花園和充滿了方明砂(一種著名的風(fēng)化花崗巖),其主要是由白色光反射到接待大廳。中心的一個(gè)富有特色的樹和圍墻處連續(xù)的雕像組成了綠化,促進(jìn)了反射、渲染了寧靜的氛圍。與此同時(shí),各種混凝土元素分散在各地,如入口門廊, 在圣殿的側(cè)門墻上對(duì)接外部的樓梯或街角的混凝土播種機(jī),提供審美連貫性。
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