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仿生營造藝術實踐

仿生營造藝術實踐_漂浮島濕地建筑設計研究Bionic-Baukunst Floating Island

(2012-11-02 00:20:55)
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文化

    仿生營造藝術創作不是僅僅為了追求一個模擬生物的外形,或者為了開發某種為己所用的功能而不擇手段。其最本質的追求是認清生命的本質,在對自然的學習與追問中尋找解決客觀問題的最有效和最節約的方法。以高效、節約和對美的追求為原則,以營造藝術和生態美學為基礎的一條新的生態創作理念。 

 


模型照片

Bionic-Baukunst on thepursuit of "beauty" as the core, through the discovery , searchingand questioning the art thinking, the aesthetic life ischaracterized by the means of create art using. Finally, landscapeenvironment is perceived and appreciated by people through the cityand architecture. The purpose is not only to apply the nature, butalso to discover the nature, respect and enjoy the nature. ……Bionicdesign is not just the pursuit of a simulated biological shape, orsimply in order to develop some kind of function for our using byfair means or foul. Actually, the pursuit of its most essential isto clear the understanding of the nature of life. Throughbiological learning and questioning found the most effective andeconomical method to solve the objective problem is to get maximumresults with minimal effort without damage and the expense thethird party interests.

     


入口透視

Bionic-Baukunst on thepursuit of "beauty" as the core, through the discovery , searchingand questioning the art thinking, the aesthetic life ischaracterized by the means of create art using. Finally, landscapeenvironment is perceived and appreciated by people through the cityand architecture. The purpose is not only to apply the nature, butalso to discover the nature, respect and enjoy the nature. ……Bionicdesign is not just the pursuit of a simulated biological shape, orsimply in order to develop some kind of function for our using byfair means or foul. Actually, the pursuit of its most essential isto clear the understanding of the nature of life. Throughbiological learning and questioning found the most effective andeconomical method to solve the objective problem is to get maximumresults with minimal effort without damage and the expense thethird party interests.



室內空間透視

本設計通過針對濕地環境特殊的營造需求,利用仿生營造藝術方法探索在特殊環境中營造人居環境的可能性。通過對濕地生物“麝鼠”巢穴的研究,提出“漂浮島”的設計概念,從仿生形態、仿生結構、仿生功能和仿生材料的角度展開分析,最終在建筑上找到與生物的契合點。從最深層的生命與自然的和諧關系中找到仿生營造藝術的本質追求。本建筑就像一座漂浮于水面上的島嶼一樣,與其說是一棟建筑不如說是一個生命體。它不與環境產生硬性連接,而是可以根據環境的變化而變化,根據功能需要的改變而靈活應對。以自生、再生、競生和共生為理念,使建筑與自然融為一個整體。在為人帶來美的感受同時也為生物創造一處棲居的場所,實現人與生物的和諧共生的終極追求。它不僅是一座人工之島、也是一座自然之島,更是人們的心中的一座藝術之島。



頂光效果

“Floating Island” This construction should becalled as a living body rather than a building which is as anisland floating on the water. It does not have a rigid connectionwith the environment, but according to the environmentalrequirement and the needs of the use of flexible response andchange. The whole building should be integrated withnature, Contemporary, The building is full use of existing materials andlocal technology to maximize the economic conservation and culturalheritage of traditional architecture.What important is to bringbeauty to human just like the artwork and which is not a naturalisland and artificial island, but an island full with art inhuman’s heart.



人與鳥共生


系統分析


概念分析

流線分析

平面圖

基地總平面

剖面圖A-A


剖面圖B-B

 



參加展覽:千里之行中央美術學院優秀畢業生作品展

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