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名家評(píng)論

  “In this ambitious study, which should prove central to further work on these topics, Ming Dong Gu challenges the notion of a fundamental opposition between Western and Chinese aesthetics and undertakes a comparative study of a series of important issues in literary aesthetics, illuminating similarities and differences.”

 (Jonathan Culler, Class of 1916 Professor of English and Comparative Literature, Cornell University, USA)

     康奈爾大學(xué)英美文學(xué)與比較文學(xué)講席教授喬納森·卡勒（Jonathan Culler）:“顧明棟教授開(kāi)展了一次富有雄心的研究，其研究議題應(yīng)該成為這些話題后續(xù)研究的中心，他向中西美學(xué)中的根深蒂固的對(duì)立概念發(fā)起挑戰(zhàn)，對(duì)文學(xué)審美領(lǐng)域一系列重要議題展開(kāi)比較研究，闡明了中西學(xué)術(shù)傳統(tǒng)中的異同。”

    “Professor Ming Dong Gu has offered a most comprehensive investigation of Chinese and Western studies. His latest book sets a new ground for conceptual and scholarly inquiries into China-West humanities in language, metaphor, representation, aesthetics, and metaphysics, and proposes a paradigm shift from ethnocentric criticism to global aesthetics. Both erudite and provocative, Gu demonstrates a methodology that will inspire anyone interested in comparative studies.”

 (David Wang, Edward C. Henderson Professor of Chinese Literature, Harvard University, USA)

       哈佛大學(xué)中國(guó)文學(xué)講席教授王德威（David Wang）：“顧明棟教授對(duì)中西學(xué)術(shù)研究進(jìn)行了非常全面的考查，其新書(shū)為中西人文的概念性和學(xué)術(shù)性研究開(kāi)辟了新領(lǐng)域，提出了一種從族群中心主義走向全球美學(xué)的范式轉(zhuǎn)移，其以深厚的學(xué)術(shù)功底和推陳出新的學(xué)術(shù)勇氣構(gòu)建的方法論框架會(huì)激發(fā)所有傾心于比較研究的學(xué)者的學(xué)術(shù)靈感，為學(xué)術(shù)研究帶來(lái)巨大的啟發(fā)。”

      “This is a timely study showing how to get beyond cultural nationalism in search of the most compelling values of civilizations, aesthetic values. In Chapters devoted to language, writing systems, metaphor, and mimesis, Professor Gu reveals the profound value of genuine dialogue, 'with due respect paid to the distinctiveness of each tradition.’ Alongside choice insights into core aesthetic concepts, East and West, Gu offers a blueprint for a comparative method rooted in the sober recognition of a shared human condition.”

 (Martin Powers, Sally M. Davidson Professor of Chinese Arts and Cultures, University of Michigan, USA)

       密歇根大學(xué)中國(guó)藝術(shù)與文化講席教授馬丁·鮑爾斯（Martin Powers）："顧教授的研究是一場(chǎng)及時(shí)雨，揭示了如何走出文化民族主義以追求人類(lèi)文明最矚目的價(jià)值。在論及語(yǔ)言、書(shū)寫(xiě)系統(tǒng)、比喻、摹仿、詩(shī)學(xué)和美學(xué)的各章節(jié)中，顧教授表明：以尊重各文化傳統(tǒng)差異性特征為基礎(chǔ)進(jìn)行真正對(duì)話具有深遠(yuǎn)意義。顧教授洞悉東西方核心審美概念，為植根于人類(lèi)共同命運(yùn)的清醒認(rèn)知之比較方法繪制了藍(lán)圖。”

  “Comparative studies placing Chinese cultural productions in conversation with those emanating from “the West” all too often fall into simplistic and self-serving dichotomies. The bold ambition of this rigorously argued and wide-ranging study is to historicize and ultimately transcend dichotomous frameworks in order to establish common ground for more inclusive and eclectic visionings of literary and aesthetic theory. In its thorough and systematic analysis of deep-seated methodological habits, it provides both a timely corrective and an invaluable guidepost for future comparative work.”

(David Porter, Professor of English and Comparative Literature, University of Michigan, USA)

     密歇根大學(xué)英國(guó)文學(xué)與比較文學(xué)教授大衛(wèi)·波特（David Porter）：“中西文化產(chǎn)品互相對(duì)話的比較研究往往陷入過(guò)于簡(jiǎn)化的自利性二分法。此書(shū)的研究目標(biāo)高遠(yuǎn)、設(shè)計(jì)大膽、論證嚴(yán)密、范圍廣泛，對(duì)傳統(tǒng)的二分法框架進(jìn)行歷時(shí)梳理并最終超越二分法框架，為實(shí)現(xiàn)更加兼容的文學(xué)美學(xué)理論的愿景奠定了基礎(chǔ)，顧教授對(duì)長(zhǎng)期以來(lái)人們慣用的研究方法進(jìn)行了深入系統(tǒng)的分析，為未來(lái)的比較研究指明了方向。”